EZK had technical problems so it’s another Andrew solo show. He talks a bit about IT (which he still hasn’t seen) and the recent Nintendo Direct but he spends most of the time complaining about amiibo. Fun stuff!
Let’s get upset about the internet getting upset about things!
0:00 – We talk about IT even though neither of us have seen it.
12:17 – Google labels us a file sharing site for… hosting our own podcast?
18:19 – All of YouTube’s changes are terrible. All of them.
29:35 – My patience pays off! Both Resident Evil 7 and L.A. Noire get Gold/Deluxe editions that include all the DLC!
37:47 – Rockstar ensures Switch version of L.A. Noire sells like crap by charging $10 more for the visually inferior version
49:32 – Nintendo character profiles for Mario and Luigi mention the boys used to work as plumbers, internet loses its damn fool mind.
59:34 – South Park video game ties difficulty to skin color.
The latest Justice League trailer launched today and it teased an incredible new edition to the team. At the end, while Alfred is working on some Bat-gadget, his scotch, or whatever it is that Alfred drinks, begins to tremble. He then looks up to see a welcome sight, exclaiming that they need that person’s help and that he hopes it is not too late. Of course we all know it can only be one being in the universe. See the reveal in the video after the break. Continue reading
If you follow Nintendo hardware rumors in any capacity, it likely won’t come as a surprise to you, but for everyone else, I hope this is great news. Nintendo will be releasing a SNES Classic Edition this fall, September 29. This will be pretty much the same concept as the NES Classic Edition but with a few modifications.
The big changes are that it comes with 2 controllers instead of one, it will only have 21 games instead of 30, and finally it will be priced at $80 instead of $60 plus $10 for a second controller, as was the NES Classic. I personally don’t find these changes as too much of a surprise. Continue reading
Among the many classic blunders in this world, the most famous of which is ‘never get involved in a land war in Asia’ and only slightly less well-known ‘Never go in against a Sicilian when death is on the line’, is the killing off one of your most popular products at the height of its life. Sadly, it seems that Nintendo has fallen victim to the latter blunder (of course Nintendo being a Japanese company may have been involved at one time or another in the first one). In a statement sent to IGN, Nintendo of America has ended production of the NES Classic Edition and after April you will never see them on shelves again, that is if you ever saw them there to begin with. (UPDATE: Japan’s version of the NES Classic Edition, a mini Famicom with a slightly different lineup of games, has ended production as well.)
The NES Classic Edition is the hit holiday product from Nintendo that bundled 30 classic NES games into a cute console with the old NES look. It even came with controllers that resembled the original NES controllers. People loved this thing so much that any units that stores got were quickly snatched up and immediately listed to ebay at double to triple markup. Few people who actually wanted one to play the darn thing got one. In a statement made in January of this year, Nintendo announced that they had sold a cool 1.5million NES Classics. That means that somewhere in the ballpark of 250k people have one to actually play right now, while 1.25million units are sitting languishing on ebay and Craigslist postings.
But what really gets my goat with this latest news is Nintendo’s completely tone deaf reasons for dropping the system. Continue reading
I am a big fan of superhero TV shows. I am currently watching every single superhero show on TV right now, except Gotham (seriously that show is garbage). So far nearly all of them have something going for them that is worth the slog through their many terrible episodes.
As a fan of this genre, I was excited when NBC announced their plans for a comedy based on the lives of the every-man living in a world of superheroes and supervillains. Originally rumored to be in the setting of an insurance company specializing in super-collateral damage, it was later confirmed to be a show about a research and development firm owned by Bruce Wayne and specializing in technology used by every day men and women to protect themselves from the damage caused by heroes and villains as they fought.
As screenshots and details of the show emerged, many people conjured up images of a show that was basically Better Off Ted, a delightful and hilarious show with a similar premise minus the supers, set in a world with super powers. After watching the pilot of Powerless, that image has been decisively shattered. While the show hits similar drum beats, the comedy and characters just can’t hold a candle to the shear wit and satire of Better Off Ted. Continue reading
One of President Trump’s promises leading up to taking his oath of office was to put “America First”. By this, he means rewarding American companies that keep or bring back manufacturing to the US, by providing tax incentives and other benefits, and punishing non-compliant companies, by imposing heavy tariffs on imported goods. While most of his focus has been on auto manufacturers so far, that won’t be the end of his efforts.
One potential target of Trump’s wrath will be the video game industry. All three of the major console companies manufacture their consoles in Asia, predominantly China. The same is true for most computers and computer components, as well as mobile phones and tablets. Not even your TV and Blu-ray player is safe from these potential tariffs. Continue reading
Coming out of the Switch Event from last Thursday night, I have some additional thoughts about the Switch. I shared my first impressions back in October after the switch teaser trailer. My initial impression was that while I liked the system idea in general, I found it hard to think of ways its unique feature set fit into my lifestyle. Now that we have more details on the system and the games, I am still slightly cool on it. Andrew and I talked about the Switch at considerable length on our Molehill Mountain podcast this past Saturday. However, I want to share my own thoughts in a nice bite sized article for you. Let’s break it down to the good, bad, and ugly of the system. Continue reading
For all of us in the United States, January 1st is just New Year’s day. The day the calendar ticks another year. But for people who live outside the US in Canada, Europe and elsewhere, January 1st means something else entirely. It means today is the day that new works enter the Public Domain. This is the day that more of our culture becomes free to distribute, free to build upon , and free to do whatever we want with. Yet, because of terrible copyright laws in the US, we miss out on all this.
Prior to 1978, copyrights lasted only 28 years, with the option to renew them a single time for an additional 28 years. Then in 1978, Congress, under the guidance of companies such as Disney, extended copyrights to last the life of the author plus 50 years. That is what the rest of the world has today. But in 1998, Congress once again, at the bidding of companies like Disney, extend copyrights to last life plus 70 years for human authors and 95 years for corporate owned copyrights. This pushed the US out of line with much of the world and works in the US won’t start entering the Public Domain until 2019. Continue reading
I think I have been negatively conditioned by modern television. I have been watching Star Trek: The Original Series on Netflix lately and nearly every episode, I think to myself, “This episode seems to never end.” Not that the episodes are boring or anything, just that they seem long. I then look at the show’s run time and notice that it is 50 minutes. Modern shows only clock in at 42ish minutes. Continue reading